Frottages, 1979
Simpson began experimenting
with frottage in 1971 and 1972 in London and Paris. these works are now
collected in a
book,
Disquieting
Day in an Underground Forest (Condition West, North Vancouver, 1999)
This
exhibition contains
several series of frottages in charcoal, beginning
in 1979. These works
utilized objects
found
around the artist's studio which were then developed into finished
compositions.

Germinal Landscape,14" x 16.5", 1978
Breaking Point
14" x 16.5", 1978
Crevasse
14" x 16.5", 1978
Midnight Sun
14" x 16.5", 1978
The technique
known as frottage (or rubbing in French) is an elaboration of the game
of placing
paper over a coin and rubbing with
a pencil on it to obtain an impression. The rubbing of temple
friezes is likewise a common
practice.
In the hands of surrealist pioneer, Max Ernst, however frottage
became
the basis of a lifelong
pursuit
of hallucinatory or divinatory images drawn forth from natural
surfaces such as wood, leaves, and
other textures as in his famous 1926 series Histoires Naturelles.
Simpson is
one of the few contemporary artists
to have explored new ground with this graphic technique.
From 1971 to 1979 he produced several
series
of compositions in charcoal or graphite that utilized frottage.
Since then he has used the technique as
the point of departure in several series of charcoal drawings.
In 1999, the artist produced Disquieting
Day in an Underground Forest. a book of his 1970's frottages
done mainly in London, Paris and Morocco during the
early 1970's.