Exhibitions in 2000
Exhibitions in Europe    Click an image or title to visit the exhibitions     Home Page
 
Phantoms of Light 
Studio 10, Vercelli, Italy 
April 15 to April 21, 2000
 
A New Arcadia 
Fortezza di Montalcino, Tuscany 
May 1 to May 31, 2000
 
Selected Drawings 1978-1999 
Salle du Convent, Seillans, France 
August 27 to September 5, 2000

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April 15 to April 21, 2000: PHANTOMS OF LIGHT
      Studio 10 in Vercelli, Italy (near Milan)
        Entitled Phantoms of Light, Simpson’s first European solo exhibition consisted of digital art,
        video and a selection of paintings and pastels. The paintings and pastels in the exhibition are
        taken from the series of works as the Fortezza  di Montalcino exhibition (below).      

   

From April to September, 2000, Gregg Simpson had three solo exhibitions in Europe, two in Italy and one in France. While Simpson has shown throughout Europe in over twenty group exhibitions since 1973, these solo exhibitions signal an exciting new direction in his career. A television documentary on this exhibition entitled  A New Arcadia,  will be on Bravo TV in 2004 shot in North Vancouver and Italy, in the keep of the famous Fortezza di Montalcino, a castle built in 1361 and the main attraction of the Tuscan town of Montalcino.


A NEW ARCADIA

Fortezza, Montalcino, Italy (near Siena, in Tuscany)  May 1 to May 31, 2000
Fortezza di Montalcino
Sale interne
29aprile - 31 maggio 2000
Personale del pittore
GREGG SIMPSON
Orario di visita: dalle 9.00 alle 19.00
L'inagurazione della mostra avra luogo
sabata 29 aprile, alla ore 17.00
Con il patriocinio dell'Amministrazione Comunale di Montalcino


August 27 to September 5, 2000: SELECTED DRAWINGS 1978-1999
    Salle du Couvent, Seillans, France (near Cannes)
        At the beginning of his career, Simpson was inspired by the work of pioneer surrealist
        Max Ernst. Seillans is the village where Max Ernst and his wife, artist Dorothea Tanning,
        spent the last decade of Ernst's life. The opportunity to exhibit next to the Ernst-Tanning
        archive and the Espace Waldberg, was especially significant for the artist.
 


The artist would like to acknowledge the assistance given to these projects by the
Government of Canada's Department of Foreign Affairs and International Trade

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