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New Terrain is Old Terrain
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The Delta region whose waters pour into the Gulf has borne many multiform creatures through the centuries. Human and animal, bird and insect, fish and crustacea have each come under its spell with striking adaptations to this mercurial environment. Whether to facilitate movement on the ground, flight in the air or depth under water, there is little in regard to anatomy that has not changed to suite. A local hunter who lives most of the year in a watershed swamp has grown thin-veined webs between his toes to enhance balance on the spongy ground. A black catfish has generated a bony, horned protuberance just above its eyes to mesmerize prey with. A Jackbird has diminished in girth to elude predators by diving faster and soaring swifter while an orb-weaving spider has sprayed across its web a perfume that mimics mating scents in its diminutive world, and there are many more examples.

What this means when considered as a totality, the various differences between animate creatures completing the rapport that defines them individually, shimmers just out of reach – a mirage in whose circumlocutions fact and fancy mingle.

As a citizen of these realms, among others who have come and left their mark before me and others most certainly to do the same after me, I expect nothing less.

And, of course, there are some creatures – no doubt, from each species – who, for reasons of their own, not only replicate these kinds of mutations but do so with great success, so that they seem ever more natural, even to the point of one species infusing another with an external or internal form – sentinel reciprocations that heighten the stakes for each and every one of us attuned to it.

Is this why there are poets who mistake their metaphors for truths and scientists for whom wonder is a bridge to commensurate discoveries?  Is this why there are sparrows, in a rain pool or pond, that suddenly exchange their tufted heads for stellar combustions in the constellation Albertus Magnus, which commands during winter nights? Is this why there are dung beetles who curtsey before the great termite mounds that rise from the dryer uplands then lunge out to gather the soft fecal matter expunged from the nest, molding it into globes to lay their eggs in? Is this why an Oregon salmon transplant, having finally returned to its birth harbor, begins to think like a schizophrenic from Kronstadt circa 1921, with all the odds stacked against it and death a clean finale?

I believe the answer to each of these examples is yes although I have little time or instrumentation to prove the point.

No matter. The perceptible world, so quantum mechanics tells us, is not as we embrace it.

This incertitude has its charms.

These charms their resplendence.

One further comment: Given the distinctions within this realm, equal to or more than those gained through descriptions of them, the act of writing takes on something of their animous. Words convulse, glitter, evaporate, reanimate, corporealize, convex, deracinate. Meaning follows and, while still compelling on its own, gains something more: sonic, even musical resonance that fabulates, one vowel or consonant at a time. And language, however quotidian it was beforehand, flashes with utopian salts – the better to eat clouds by; clouds that rise from the vernal Earth.

Gregg Simpson and Allan Graubard
Bowen Island, BC; New York, NY, July 2018


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