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New Orchestra
Quintet: First and Last NOR 012
2 CD's
$15.00
plus $10.00 postage
NOR
012
The New Orchestra Quintet was together from 1977 to
1980. In
that time they began a new era of
improvised jazz
in Vancouver. Their first
LP, Up ‘Til NOW, from
1979, got stellar reviews in Canada and internationally
and
was reissued
as a double CD on New Orchestra Recordings in 2004.
Excerpts from review of Up ‘Til
Now by the New Orchestra Quintet from
Cadence Magazine, March 2005
Paul Cram, reeds;
Ralph Eppel, trombone; Paul Plimley, piano;
Lisle Ellis, bass;
Gregg
Simpson, drums may not have generated much
buzz during their late ‘70’s
heyday, but their first
two-disc reissue of
their LP Up Til Now, contains
almost a disc and a half of
unreleased material
from contemporaneous sessions,
demonstrates that there was
some heavy
playing going on up North. While
the names might not be the
marquee type
(though several are members of
the NOW Orchestra, for
example), the
soloists consistently emit
sparks.
The group ethos, a focus on
strategic group maneuvers with a
tension between
inside/outside leanings that can
threaten to blow at any
moment is what keeps
one listening.
They
can swing hard yet, the abstract notions are an important
part of the group sound as well
displaying that even while
venturing into more
conceptual territories, there is
a degree of listening going
on here.”
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R and D.
.
.
C.O.R.D. Orchestra
|
|
C.O.R.D.
Orchestra: R. and D.
2 CD's
The New Orchestra Worshop created the C.O.R.D. Orchestra
in 1978.
It included Paul Cram, Lisle Ellis, Ralph Eppel, Paul Plimley and Gregg
Simpson from the New Oorchestra Quintet,
with Karen Oliver-violin, Dave Todd- trumpet, Harriett
VanDeusen-cello, Ken Newby-reeds, Linda Barrett-harp,
Marian Penner-Bancroft-flute, Coat Cooke-tenor sax, Clyde
Reed-bass, Don Ogilvy-viola, and Jeff Ridley-viola
$15.00
plus $10.00 postage
NOR
012
NOR 013
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Harmolodic Highlanders
Featuring: Lunar Adventures, Paul Cram
Trio, Tribal Dynamics
"
promises a
tantalizingly odd hybrid
of sounds and that’s just what it is"
"This is a
mix of
seemingly
incongruous elements
that comes out as
insanely inspired
fun.
I
think the inventor
of harmolodics,
Ornette
Coleman, would
definitely approve."
-Jerome Wilson,
Cadence Magazine, June 2005
Condition West 003
$12.00 plus $10.00 postage
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Sunship Jazz Ensemble

Blue Minor Records
121 2004A
Includes booklet insert
The Sunship
Ensemble, which formed in 1974, was a group in tune with its times. The
incorporation of world music, drawn from many cultures, was evident
in many celebrated jazz groups of the early 1970s.
Their music reflected the Afro-Latin influences of the times, but
Sunship Ensemble incorporated even
more extended free form improvisations than most
other fusion groups of the time. Although international in outlook, the
group played a regionally-based
music, influenced by the west coast, rainforest
environment.
Ross Barrett (tenor sax, flute, keyboard) Bruce Freedman (tenor
sax) Richard Anstey (soprano sax)
Alan Sharpe (guitar) Clyde Reed (bass) Gregg Simpson (drums)
Compositions
1. Mesopotamia 2. Atlantis Rising 3. Inca 4. Great Wall of China
5. African Village
6. Green Apple Quickstep 7. Birds of a Feather 8. Stop Stop 9. Nest of
the Wounded Crow
Some of the material for this CD
was previously released on a 1975 CBC Transcription Recording, entitled
Pacific Rim, produced by George Laverock,
including several originals by Alan Sharpe and
one piece entitled Great Wall of China, written by the Montreal-born
pianist, Rick Kitaeff whose group in
Japan at the time, Electric Ninja, shared the
CBC album with the Sunship Ensemble. To reflect the Pacific Rim theme,
the groups each did a composition
by their counterpart across the Pacific
Recorded: #1-8: 1975, #9: 1971
#1- 4 CBC Studio 'A',Vancouver, #5-9: various studios in Vancouver.
$18.00 plus $10.00 postage
Includes an illustrated booklet
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New Orchestra
Quintet
UP' TIL
NOW
Double
CD including
selections from the original LP

Paul Cram - woodwinds / Ralph Eppel - brass / Paul Plimley - piano
Lisle Ellis - bass /Gregg Simpson - drums
2
CD's Release date: July 20, 2004
Recorded in Vancouver: 1978, 1979
.NOR010
$15.00
plus
$10.00
for mailing
Review
Excerpts:
The New
Orchestra Quintet is the strongest thing I’ve heard coming out
of Canada.
Milo Fine, Cadence
Magazine, 1980
Up ‘Til Now presents conceptual
and
structural risks, abrupt juxtapositions and flaring tangents
Bill Shoemaker, Coda
Magazine,1980.
Up ‘Til Now far outstripped Canadian records
in 1980.
Mark Miller, Globe
and Mail, 1982.
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E.S.B.
MUSIC
FOR THE
LIVING

Bob
Bell-guitar,
bass, alto sax, percussion / Ralph Eppel - trombone, trumpet, euphonium,
bass,
percussion
/ Gregg Simpson - drums, percussion
Originally released in 1982 on
ISM Records (ISM1001)
(includes new
material)
2 CD's
$15.00
plus
$10.00
for shipping
NOR
014
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E.S.B.
On
Tour

Bob
Bell-guitar,
bass, alto sax, percussion / Ralph Eppel - trombone, trumpet, euphonium,
bass,
percussion
/ Gregg Simpson - drums, percussion
Recorded
on tour in Vancouver, Calgary, Toronto and Montreal, 1981-1982
2 CD's
$15.00
plus
$10.00
for shipping
NOR 015
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A-Group
and Big Sea 5
Condition
West / Systematics
CONDITION WEST
A Group
SYSTEMATICS
Big Sea Five
Two CDs |
A-Group:
Condition
West
Bob
Bell-guitar,
alto sax, percussion / Paul Cram: Reeds, percussion
Ralph Eppel - brass, percussion / Gregg Simpson -
drums, percussion
Big Sea 5: Systematics
Bob
Bell: guitar, / Paul Cram: reeds / Ralph Eppel: brass
Lisle Ellis bass
/ Gregg Simpson - drums
2 CD's
$15.00
plus
$10.00
for shipping
NOR
016
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Gregg Simpson - drums, persussion, toy
instruments,
sound collages
Canadian pianist Al Neil may be little known except
for a circle of old Vancouver enthusiasts, but it makes this two-CD
RETROSPECTIVE
all the more fascinating to study. As a writer and
poet,
he
imported his spontaneous cut-up technique into the music, which added to
drummer Gregg Simpson's tape loop contraption (the
"vortexerola"),
and bassist Richard Anstey's uncanny vocalizations produced
some very weird
real-time sound collages. Neil's style combines elements of Bud Powell,
Thelonious Monk, and Taylor (even though
he wasn't aware of it); he
has power,
over-spilling emotions, and a certain form of madness that actually
pushes the
music further
over the edge than what
Taylor was doing at the time. It takes
you back to the days when experimental music meant taking risks.
A definitive
document. François Couture -All Music Guide