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Featuring: Lunar Adventures, Paul Cram
Trio, Tribal Dynamics
Condition West 003
" promises a
tantalizingly odd hybrid
of sounds and that’s just what it is"
"This is a
mix of
seemingly
incongruous elements
that
comes out as
insanely inspired
fun.
I
think
the inventor
of harmolodics,
Ornette
Coleman,
would
definitely approve."
-Jerome Wilson,
Cadence Magazine, June 2005
$15.00 plus $10.00 postage
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Sunship Jazz Ensemble

Blue Minor Records
121 2004A
Includes booklet insert
The
Sunship
Ensemble, which formed in 1974, was a group in tune with its times. The
incorporation of world music, drawn from many cultures,
was evident in many celebrated jazz
groups of the early 1970s.
Their music reflected the Afro-Latin influences of the times, but
Sunship Ensemble
incorporated even more extended
free form improvisations than most
other fusion groups of the time. Although international in outlook, the
group
played a regionally-based
music, influenced by the west coast rainforest
environment.
Ross
Barrett (tenor sax, flute,
keyboard) /
Bruce Freedman (tenor
sax) /
Richard Anstey (soprano sax)
Alan Sharpe (guitar)// Clyde Reed (bass/)/ Gregg Simpson (drums)
Compositions
1. Mesopotamia 2. Atlantis Rising 3. Inca 4. Great Wall of China
5. African Village
6. Green Apple Quickstep 7. Birds of a Feather 8. Stop Stop 9. Nest of
the Wounded Crow
Some of the
material for this CD
was previously released on a 1975 CBC Transcription Recording, entitled
Pacific Rim, produced by
George Laverock, including
several originals by Alan Sharpe and
one piece entitled Great Wall of China, written by the Montreal-born
pianist,
Rick Kitaeff whose group in Japan
at the time, Electric Ninja, shared the
CBC album with the Sunship Ensemble. To reflect the Pacific Rim theme,
the groups each did a composition
by their counterpart across the Pacific
Recorded: #1-8: 1975, #9: 1971, #1- 4 CBC Studio 'A',Vancouver, #5-9:
various studios in Vancouver.
$15.00
plus $10.00 postage
Includes an illustrated booklet
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New Orchestra
Quintet
UP' TIL
NOW
Double CD including
selections from the original LP

Paul Cram - woodwinds / Ralph
Eppel - brass / Paul Plimley - piano
Lisle Ellis - bass
/Gregg Simpson - drums
New Orchestra Recordings 010 (Double
CD)
(Cover art by
Gregg
Simpson)
Recorded in
Vancouver:
November, 1977 and May, 1978
Release date: July 20, 2004
"The
New Orchestra Quintet was formed in
1977. Their debut concert was at the U.B.C. Concert Hall in 1978, also
the year of their first recording sessions at
PSI Chord Studios in
Vancouver. The group went on to form the New Orchestra Workshop
Society, which included the C.O.R.D. Orchestra, who collaborated
with
vibraphonist, Karl Berger, and Sessione Milano, with flutist Don
Druick. The group recorded the original LP, Up ‘Til Now, in 1979. The
players went on to
form many other ensembles that continue to tour and
record in Canada and internationally until today."
Review
Excerpts:
"The New
Orchestra Quintet is the strongest thing I’ve heard coming out
of Canada. "
- Milo Fine,
Cadence Magazine, 1980
"Up ‘Til Now presents
conceptual and
structural risks, abrupt juxtapositions and flaring tangents."
- Bill Shoemaker, Coda Magazine,1980.
"Up ‘Til
Now far outstripped Canadian
records
in 1980."
- Mark Miller,
Globe and Mail, 1982.
$15.00
plus $15.00
for mailing
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Gregg
Simpson - drums, persussion, toy
instruments,
sound collages
"Canadian pianist Al Neil may be little known except
for a circle of old Vancouver enthusiasts, but it makes this two-CD
RETROSPECTIVE
all the more fascinating to study. As a writer and poet,
he
imported his spontaneous cut-up technique into the music, which added to
drummer Gregg Simpson's tape loop contraption (the
"vortexerola"),
and bassist Richard Anstey's uncanny vocalizations produced
some very weird
real-time sound collages. Neil's style combines elements of Bud Powell,
Thelonious Monk, and Taylor (even though
he wasn't aware of it); he
has power,
over-spilling emotions, and a certain form of madness that actually
pushes the
music further
over the edge than what
Taylor was doing at the time. It takes
you back to the days when experimental music meant taking risks.
A definitive
document." François Couture -All Music Guide