.
Decalcomania
1971-1972
The technique of decalcomania
was 'invented' by Oscar Dominguez, a surrealist painter
from the Canary Islands. I always
thought this fact was strangely significant
because
of the connection between the Canary
Islands and the legendary Atlantis, which
seems to be reflected in the eerie,
aqueous landscapes that Dominguez
made
with this technique. You begin by spreading
black gouache on paper and then pressing down unevenly on it with
another piece of paper or to produce a
Rorschach-like abstraction. The resulting images have
been described as "submarine flora, unfathomable
fauna…delirious broughs of grottoes, black lakes,
will-of-the-wisps…"
(Andre Breton).
I decided to try a variation on the
traditional decalcomania
technique by using coloured, instead
of black gouache, which reduces the graphic impact, but strengthens
the
lyrical qualities.
Scroll down to view
Dream of
Pan's Home
gouache on paper, 1971
|
Ramscape
gouache on paper, 1971
(Private collection, Vancouver)
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The Summons
gouache on paper, 1971
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Plateau
gouache on paper, 1971
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Messenger
gouache on paper, 1971
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Landscape
with Houris
gouache on paper, 1971
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Polyphemus
gouache on paper, 1971
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Cthulu
gouache on paper, 1971
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Yearnings
gouache on paper, 1971
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Dawn
gouache on paper, 1971
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Pillars
of Hercules
gouache on paper, 1971
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Journey
to the Hesperides
gouache on paper, 1971
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The Woods
at Twilight
gouache on paper, 1971
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Arcturus
gouache and enamel on
paper, 16" x 20", 1972
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Arc II
gouache on paper, 1971 |
From the
Void
gouache and acrylic, 20" x 24", 1972
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Nighthawk
gouache on panel, 16"
x 20", 1972
(Collection of the City of Vancouver)
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Jewel of
the Andes
gouache and acrylic,
20" x 24" 1972 |
Moon Dance
gouache on panel,
16" x 20",
1972
(Collection of the City of Vancouver)
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Untitled
gouache on panel, 16"
x 20", 1972
(Collection of the City of Vancouver)
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